Joshua Schwebel
Home
work
Evictions
Médiation Culturelle
Administration
Subsidy
Audience Engagement
Entitlement
Privation
Popularity
Reserve
Commercial Gallery
Destinerrance
How to Get Into a Major Museum Collection
Please Do Not Submit Original Works
Double Takes: Objects for Pure Loss
Circulaire
Avertissements
plagiarism
Sinister
intercom
Delivery
publicity
redistribution
redistribution
redistribution
[Caché]
Intervention - public spectator
[Caché]
Vertigo (Between the Deaths)
Imposter
Visitation
Between the Deaths (Vertigo)
More Vertigo (Between the Deaths)
public address system (whisper machine)
Presentation
anticipation
working
postcards
receipts
injuries
meetings
president's gift report
invitations
recollection
details
opening reception
more recollection
small projects
Openings
Prelude
academic appointment
Beijing Insertions
"Fall": refabrication
autograph
gloss
proposition
S.N.
earlier work
residue
mark-making
eye contact versions one and two
more small projects
news
press
contact
CV
PDFs
Joshua Schwebel
Home
work
Evictions
Médiation Culturelle
Administration
Subsidy
Audience Engagement
Entitlement
Privation
Popularity
Reserve
Commercial Gallery
Destinerrance
How to Get Into a Major Museum Collection
Please Do Not Submit Original Works
Double Takes: Objects for Pure Loss
Circulaire
Avertissements
plagiarism
Sinister
intercom
Delivery
publicity
redistribution
redistribution
redistribution
[Caché]
Intervention - public spectator
[Caché]
Vertigo (Between the Deaths)
Imposter
Visitation
Between the Deaths (Vertigo)
More Vertigo (Between the Deaths)
public address system (whisper machine)
Presentation
anticipation
working
postcards
receipts
injuries
meetings
president's gift report
invitations
recollection
details
opening reception
more recollection
small projects
Openings
Prelude
academic appointment
Beijing Insertions
"Fall": refabrication
autograph
gloss
proposition
S.N.
earlier work
residue
mark-making
eye contact versions one and two
more small projects
news
press
contact
CV
PDFs
PDF
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Reinickendorf Letter
The letter I sent to the director of the Heimatmuseum Reinickendorf, April 16, 2018.